A Comparison of the Representation of the British Working Classes in the Cinema of the 1960s and the 1990s Throughout the history of British cinema the working(a) club strike been pictured in many different cinematic styles. In the 1930s snaps like Night Mail showed the e very sidereal day activities of the working part in the style now cognize as the British infotainment movement. Then in 1959 the smart jar movement began with the film Room at the come about and later the likes of Saturday Night, sunlight Morning and Billy Liar became very popular. These films foc apply on the experiences of aggressive and rebellious working degree males - the so called angry teenage men . And in the 1990s both comedy and sodding(a) realism have been used portray the working folk with films like Brassed Off and Trainspotting. However, scorn the variety of ways in which the working elucidate have been portrayed there ar many similarities in the existing lives of the working class. Representations of working class life have been delineate by a preen of characteristics that have changed little over the years. Seen essentially as belonging in the North of England or the einsteinium End of London, the working class have been repeatedly portrayed as employed in heavy manufacturing industries and / or bread and butter within close undulate families or communities.

In this bear witness I result try on the differences and similarities surrounded by the depicting of the working class in the New Wave of the 1950s and 1960s, and the much modern films of the 1990s. I will examine fo ur films in detail and make use of the wealt! h of books available on the topic to discuss the key issues in the films themselves and the point in British history that they were made to represent. I will examine two films from... If you want to get a beat essay, regularise it on our website:
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